Are you the kind of art teacher that will hand-draw an awesome art worksheet only to save the original in some super secret file cabinet and completely forget where it is next time you need it? Me, too. I knew I wasn’t alone! But let’s face it, sometimes it’s just quicker to sketch out an idea instead of messing around with formatting in some uncooperative program.
Alas, this technology exists and is easier than ever! As a self-proclaimed novice at digital drawing, I can safely say there are many uses for this quick and easy medium. I recently started using the program, Procreate, on my iPad with an Apple pencil, and I highly recommend it! There are many digital drawing apps out there, so you may need to play around with which one works best for you.
Here’s a little secret. My absolute favorite tool to use when drawing digitally is the “undo” button. Yes, there are hundreds of cool brushes and filters, but there is something so liberating about being able to neatly and quickly undo a mark until it is exactly how you want it. Don’t get me wrong, I will always love the feel of drawing on paper, but the ability to create without hesitation is a serious advantage when it comes to digital drawing.
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Staying on top of classroom organization is a big part of making an art room run smoothly. Picture that bin of Sharpies in your classroom with the peeling masking tape label… Or those drawers of drawing supplies with scribbled and torn labels…
Instead of writing up a Word document with information about your upcoming art event, try drawing out a more eye-catching image. It can be clean and simple or wildly detailed. When it comes to art show posters, I always have a friendly competition for my Art Club members who want to submit a poster design. If you have access to technology, have your students draw digitally themselves. Otherwise, you can always use a photo of a student poster and combine it with a digital drawing for some extra flair.
Envision the perfect color mixing worksheet or a fun, motivational coloring sheet. You can finally make these things for your classroom! If you draw them digitally, they will be exactly what you want. Recently, I created some simple coloring sheets for student sketchbooks and to give away at our art show.
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At our art show, students have one specific piece of art that corresponds with an “artist statement” sheet. On the sheet, the artist proudly writes their name and an interesting sentence about their art. In the past, I used to hand-draw these sheets with a Sharpie and diligently copy, orient, and cut them all apart. This year, I created a simple digital template…all from the comfort of my pillow fortress at home!
With a never-ending list of projects, it’s helpful to draw out your sketch ideas digitally. Working through your ideas with the safety an “undo” button makes the possibilities endless. Whether you are creating a sketch of a future mural or a clay project, it is good practice to figure out your ideas before creating a final project.
As an artist with an individual style, you should create digital drawings that YOU love! In my classroom, we have a call and response where I say, “Cool Beans?” and the students respond, “Cool Beans!” So naturally, I made a digital drawing of that phrase. Then, because the internet is an amazing thing, I turned the drawing into a fabric pattern and had it printed on a dress! It was a pretty cool art education moment to explain to my students how I designed the fabric on the dress I was wearing.
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These are just a few ideas to try when you experiment with digital drawing. It has been a challenging and creative new adventure for me with lots more ideas on the horizon. I hope I’ve sparked your interest to try your hand at digital drawing!
Magazine articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University (AOEU) or its academic offerings. Contributors use terms in the way they are most often talked about in the scope of their educational experiences.You can flip the canvas to check for errors, Ctrl + Z to undo missteps, and even alter the drawing with a variety of transform tools.
Below you’ll find a list of 12 tips to help you get the most out of your digital art program as a beginner. These tips were written with most digital art programs in mind. Whether you’re rocking Photoshop, Krita, Procreate, Gimp, Illustrator, or Clip Studio Paint, these tips should apply.
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There are drawing tablets where you’re drawing directly on the screen, and drawing tablets wherein you’re only drawing on a surface while looking at the monitor.
The more layers of pressure sensitivity a tablet has, the more you’ll be able to add nuance and subtlety to your work with ease.
Since this isn’t a post about which tablet you should get, you can spend some time doing research if you don’t have one already. The main point is that you’re going to want to use a tablet, and that it should have pressure sensitivity to augment your workflow.
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Tools are the many little squares and menus that are designedly nestled in whatever program you happen to be using. Usually there are only a few you need to concern yourself with for the purposes of actually drawing and erasing.
When you open your digital art program for the first few times, it pays to spend a good chunk of your energy exploring the tools. Seeing what hotkey activates them, what they do, and how they feel.
Mostly, you’ll likely be using a drawing tool, an erasing tool, a selection tool, and a move/transform tool. Those are the bread and butter of digital art, so make sure that you prioritize learning how those operate, as they’ll make your life as an artist much easier.
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This one is ultimately about simplicity. Some artists have the tendency to spread themselves quite thin over a large array of brushes and tools. They hop onto the next one before ever growing comfortable with the previous one. It’s not the best strategy for learning, and certainly not the best strategy for gaining the consistent results necessary to hearten yourself to continue learning.
So stick with the basic two or three the program offers. Or if you do download and add additional brushes/tools, pick one or two from that pack and stick with them. Make sure they’re very utilitarian and good for a variety of purposes, and not just for special-use cases.
Layers are one of the best reasons to go digital as an artist. They allow you the freedom to sketch, refine, and test.
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Learning the layer menu in whatever are program you’re teaching yourself is crucial. Learn how to drag them around, turn them on an off, merge them, rearrange them, and so on. A mastery of the layer menu will allow you to augment your process, and make your workflows much more efficient.
This one is pretty simple. If your fingers are constantly on that shortcut, you might be developing a dependency. That dependency on the “undo” function can harm your output, learning, and create crutches you’ll have to free yourself from later.
While it is a potent tool or making sure you don’t destroy your work, make sure you don’t get so addicted to it that you’re unable to finish your work. If you’re always trying to get the “perfect line” or being overly meticulous for the sake of perfection, you’ll advance slower than those who own their mistakes and fix them in other ways.
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Draw circles. Elipses. Squares. Make congruent marks all across the page. Get a feel for drawing straight lines. All of these exercises help you to not only temper your drawing ability, but they’ll get you used to your digital medium. 15 minutes of focused exercises is all you need before you begin sketching.
Get comfortable. Feel like you can be free inside of the program. It’s terribly hard to be overly-concerned with making mistakes, or just getting hung up in general.
Yes, the other side of the coin is making very sloppy work, but if you’re rushing things you can always slow down a bit.
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The key here is balance. Sketch as much as you can, and make it a habit. Aim for 6 25-minute sketching sessions daily, with 5-10 minute breaks in between if you’re doing them consecutively.
Save your work, of course (this is cmd or ctrl + S in most programs.) And when you’ve amassed 10-20 works, pick one or two to clean up. This means using the eraser to refine your lines. It means lowering the opacity on the sketch layer, making a layer above it, and trying to draw more accurately and clearly.
Make a mental note to work with a new, utilizable tool from your program every few days. Implement it into your sketching sessions or your process. It will ensure that you’re opening
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